TheGP Hockey Hall of Fame
090723montrealcanadiens 081216johntavares
The Epic of John Tavares
by (December 16, 2008)
Theo Fleury
Featured on TheGP Hockey
120516keithprimeau Colorado Avalanche v Vancouver Canucks 120503defensemen
More from
TheGP Hockey

May 16, 2012

Playing through the pain is not the way to win

May 9, 2012

The love/hate dichotomy of the playoff goaltender

May 3, 2012

Re-evaluating the 2008 NHL Entry Draft

May 1, 2012

Doan finally getting it done in the desert

April 25, 2012

War Horse at Madison Square Garden

April 24, 2012

The disappearing act of the NHL goon

April 19, 2012

Couturier showing glimpses of exceptionally bright future

April 10, 2012

99 Facts About 100-Point Scorers: Part 3 – Players

April 5, 2012

Breaking down the NHL playoff system

April 3, 2012

99 Facts About 100-Point Scorers: Part 2 – Teams

March 23, 2012

Cliff Fletcher and his Janitorial Failure

March 22, 2012

The remarkable return of the Ottawa Senators

March 20, 2012

99 Facts About 100-Point Scorers: Part 1 – Firsts

March 14, 2012

Kane carrying Jets into NHL playoffs?

March 8, 2012

Is plus/minus a positive or negative in the NHL?

Bears Eat Beets

by
Monday, December 22, 2008
081222minnesotawildlogo

When the Minnesota Wild unveiled their primary logo back in 1998, the context in which sport was perceived would, essentially, change forever. Whether we knew it or not, one man’s artistic recreation of a “wild” would be enough to permanently alter the memetic landscape of professional athletics.

If the simplistic nature of the New York Yankees’ interlocking letters set the bar for artistic achievement, the Minnesota Wild reinvented the sport of proverbial high jump altogether. It is for this reason that the cultural smorgasbord of Minnesota’s organic Nature Bear deserves your respect.

Love it or hate it, the unparalleled appeal of the seemingly acid trip-induced creation is two-fold. The first and most defining characteristic of the infamous logo being it’s optically-deceiving double image – representing both a wilderness landscape and an unidentified wild animal – and the second, of course, being the fact that bears are totally bad ass.

Though the predominant theory suggests bear, many believe the form depicted on the emblem is that of a wild cat. The franchise itself, however, has refused to distinguish between the two, referring to the creature as a “wild animal” and nothing more. As a one-time northern-based, but otherwise-unqualified, source, this sports writer says bear due to the obviously rounded ear and bearlike girth of neck.

Besides, bears are awesome, you know that.

Though the war wages on between Teams Ursidae and Felidae, perhaps a more telling (and more recognized) component of the logo is its incorporation of the state’s environment. With traditional evergreens accompanying both moon and stream, the complexity of the image is what makes it unique in North American professional sport.

Consider then, the fact that the white star that makes up the bear’s eye also pays homage to the region’s former NHL franchise (the Minnesota North Stars) and the case for Wild superiority, in terms of aesthetics at least, is all but closed.

Add to the logo’s case the fact that it symbolizes one of just seven non-plural team names in all of North American professional sport (and the only one of 122 franchises based on an adjective) and you have yet more reason to appreciate the power of the multidimensional Nature Bear.

Though the team has more or less just recently shed its expansion team tag in the National Hockey League, the fact that its artwork alone is enough to anchor an art school curriculum speaks to the overall state of hockey in Minnesota.

Combine with that a remarkable attendance record and one of the most hockey-passionate state populations in all of America and the Minnesota Wild are slowly rising to the upper echelon of NHL franchises.

It’s hard to imagine such an obnoxiously modernized franchise in the conversation with sport’s finest, but before too long, fans will find just that. Whether they ever truly acknowledge the unconventional logo amongst that same elite, however, remains to be seen.

…because seriously, it has a hidden bear on it.

 
 
Austin Kent
is the founder and Editor-in-Chief of TheGoodPoint.com
Austin has written 95 stories at The Good Point.
Here are the most recent:

May 14: Progress Report: Chase Headley hits stride in San Diego
Apr 23: Boy Meets World: Why everything you think you know about Josh Smith is wrong
Apr 17: The Tank that Lost the Battle
Feb 17: The Yi-nsanity Continues
Feb 03: The God Who Couldn’t Rely on God

Masthead
The Good Point Staff
The Good Point Contributors

Launched in 2008, The Good Point is a feature-based digital magazine that prides itself on long-form, essay-style journalism. With a primary focus on the North American market and over 50 writers across the continent, the publication’s central theme ranges from sports medicine to sports humor and everywhere in between. By emphasizing creative story telling and a tiered-editorial process, TheGP marries behind the scenes access at the professional level with the passion and enthusiasm of the fans that fuel the industry. With an archive growing deeper by the day and a reputation of compelling content sweeping the sports media landscape, once you’ve said The Good Point, you’ve said it all.

Austin Kent
Editor-in-Chief

Rob Boudreau
Associate Editor

Jared Macdonald
Associate Editor

Andrew Bucholtz
Associate Editor