Brett Favre was a lot of things to a lot of people, but especially to the rabid Wisconsin faithful. Josh Koebert, one of the many inspired football afficianados who can attribute their passion for the game to the franchise-changing quarterback, weighs in on the man’s exodus, eventual retirement and potential return to the place he became a legend.
Brandon Jennings is not Joe Namath, and the 2012-2013 Milwaukee Bucks are not the 1968 New York Jets, and the Miami Heat are not the Baltimore Colts, no matter how apt comparing LeBron James and Johnny Unitas may be. Ever since Broadway Joe and his scrappy AFL upstarts unseated the NFL’s mighty Indianapolis Colts to make good on Namath’s infamous guarantee, professional athletes promising wins has been en vogue, albeit to varying levels of success. Add the Milwaukee point guard to the list.
Sports are supposed to be fun. Sports are supposed to be an escape from the rest of the world. The Boston Marathon is supposed to be a celebration of human accomplishment. Patriot’s Day in Massachusetts is supposed to honor the brave men and women that fought to found this nation. On April 15, everything the day and the marathon were supposed to be became targets, just the same as the innocent men and women around the blast zone.
Kevin Ware has become a household name, and not for reasons that he would have hoped for. When Ware gruesomely broke his leg on national television fans, players and consumers of March Madness in general were forced to take a step back and evaluate the game and the role that student athletes play in it.
It’s not always easy to be a Houston Astros fan. Now that the franchise boasts a miniscule $20 million payroll, a mark smaller than 20 different individuals in professional baseball, they’ll have their work cut out for them dealing any sort of damage on the diamond. Still, with hew boss Jim Crane calling the executive shots, it may not be long before we start seeing signs of life from the classic club. A new league and new look are only the beginning.
Launched in 2008, The Good Point is a feature-based digital magazine that prides itself on long-form, essay-style journalism. With a primary focus on the North American market and over 50 writers across the continent, the publication’s central theme ranges from sports medicine to sports humor and everywhere in between. By emphasizing creative story telling and a tiered-editorial process, TheGP marries behind the scenes access at the professional level with the passion and enthusiasm of the fans that fuel the industry. With an archive growing deeper by the day and a reputation of compelling content sweeping the sports media landscape, once you’ve said The Good Point, you’ve said it all.
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